Mostly, the film is an orgy of excess, in which Fincher indulges his passion for luxuriant image-making, with little regard for whether the story merits (or can withstand) such grandiose treatment.. Adamson seems more comfortable with animated characters than real ones.. It can be a good thing, St. Paul tells us, to put away childish things. But it is sometimes an even better thing to pick them up again.. This PG-rated movie feels safe and constricted in a way the story never does on the page. I...
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