Eastwood's latest is serenely, even masterfully eccentric -- the sort of movie that begins with a tsunami and ends with a kiss.. The last 30 minutes of the film hint at what it might have been if someone had whipped that script into shape; the idea of exploring experiences of the afterlife was a great one, and Eastwood certainly has the vision to pull it off.. It isn't a film fixated on death so much as what comes after and how that affects the living, the type of subject typically treated in fi...
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